: Mastering preamps, AD/DA converters, and hardware processors like outboard compressors and EQs.

: How the human ear perceives sound and the safety limits of hearing.

: Differences between dynamic, condenser, and ribbon mics; polar patterns (cardioid, omni, figure-8).

: Techniques for drums, electric guitars (including re-amping), and vocals. Phase 3: Digital Audio Workstations (DAWs)

: XY, ORTF, and Mid-Side configurations for capturing realistic spatial depth.

Before touching a fader, students must understand the medium they are working with.

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Sound Engineering Course May 2026

: Mastering preamps, AD/DA converters, and hardware processors like outboard compressors and EQs.

: How the human ear perceives sound and the safety limits of hearing. sound engineering course

: Differences between dynamic, condenser, and ribbon mics; polar patterns (cardioid, omni, figure-8). : Mastering preamps

: Techniques for drums, electric guitars (including re-amping), and vocals. Phase 3: Digital Audio Workstations (DAWs) and ribbon mics

: XY, ORTF, and Mid-Side configurations for capturing realistic spatial depth.

Before touching a fader, students must understand the medium they are working with.