: This concerto is Bach's own keyboard adaptation of his earlier Violin Concerto in A minor, BWV 1041 . Gould's recording makes a strong case for playing such transcriptions on the modern piano, as he believed the instrument's capacity for fluid phrasing better suited Bach's intricate polyphony than the harpsichord.
: Gould was known for adding his own ornamentations and "left-hand fillips," sometimes even incorporating first violin parts into his piano line to fill out the texture. Glenn Gould - Bach, Concerto No. 7 in G minor O...
: Listeners often notice Gould’s characteristic humming in these recordings. While some find it distracting, others see it as evidence of his total immersion in the music. Highly Rated Articles & Media : This concerto is Bach's own keyboard adaptation
: Gould recorded this piece on May 4, 1967 , with conductor Vladimir Golschmann and the Columbia Symphony Orchestra. Music critics often describe this specific G minor rendition as "robust" and "strongly etched," contrasting with the more delicate movements of Bach's other concertos. Interpretation Highlights : : Listeners often notice Gould’s characteristic humming in
Below are helpful resources and insights regarding this specific work and Gould's performance: Analysis and Performance Context