Payne argues that a painting is not a literal copy of nature. Instead, it is a selection of elements organized into a unified whole. Don't paint everything you see. Unity: Every brushstroke must serve the main idea. Balance: Distribute visual weight to keep the eye moving. The 15 Compositional Forms
Block in large shapes before adding any specific details like leaves or ripples. If you'd like to dive deeper, let me know: Edgar Payne - COMPOSITION OF OUTDOOR PAINTING
Combines small elements into one large, impactful shape. The Diagonal: Creates movement and dynamic tension. Payne argues that a painting is not a literal copy of nature