The track briefly teases the "Fate" theme—a two-note ascending phrase often associated with the character Ladybug—before it is overtaken by more aggressive elements representing the film's primary antagonist.
Many instruments, including a full 70-piece orchestra, were recorded through tape machines to add "wow and flutter"—subtle pitch bends and distortions that make the modern recording sound like a dusty, vintage sample. The track briefly teases the "Fate" theme—a two-note
Dominic Lewis did not set out to write a traditional orchestral score. Instead, he approached the project like a . He imagined finding an obscure 1970s vinyl record and using it as a source for samples, which meant he had to "create" that fake record before he could even start scoring the scenes. This resulted in a "gonzo" mash-up of genres, including: 70s Rock & Psychedelia British Music Hall & Go-Go Vibes 90s Grunge and Trip-Hop Enka (Traditional Japanese singing from the 1950s) Spotlight on "Kyoto Eki" Instead, he approached the project like a
A massive orchestral sound recorded at the Sony Scoring Stage to signify his overwhelming power. To match the film’s chaotic energy, Lewis used
To match the film’s chaotic energy, Lewis used several experimental techniques:
While "Kyoto Eki" is a location-based track, it weaves in elements from the film's character-specific motifs: