Cheeky (trasgredire)hd -

: The Italian title Tra(sgre)dire is a linguistic pun combining trasgredire ("to transgress") and tradire ("to betray"), reflecting the film’s central conflict between Carla’s sexual curiosity and Matteo’s jealousy.

: Reviewers often describe the movie as a "joyful" and "breezy" entry in Brass’s filmography, praising Yuliya Mayarchuk’s energetic and charming performance. Cheeky (trasgredire)HD

(originally titled Trasgredire or Tra(sgre)dire ) is a 2000 erotic comedy directed by the Italian filmmaker Tinto Brass . Known for its playful tone and focus on female sexuality, the film was recently remastered in 4K by Cult Epics to showcase its vibrant, high-definition cinematography. Plot and Themes : The Italian title Tra(sgre)dire is a linguistic

The story follows Carla (), a free-spirited Venetian woman who moves to London to find an apartment for herself and her boyfriend, Matteo ( Jarno Berardi ). Known for its playful tone and focus on

: True to Brass’s style, the film heavily emphasizes female forms, particularly the posterior, which the director famously calls the "mirror of the soul".

: The Italian title Tra(sgre)dire is a linguistic pun combining trasgredire ("to transgress") and tradire ("to betray"), reflecting the film’s central conflict between Carla’s sexual curiosity and Matteo’s jealousy.

: Reviewers often describe the movie as a "joyful" and "breezy" entry in Brass’s filmography, praising Yuliya Mayarchuk’s energetic and charming performance.

(originally titled Trasgredire or Tra(sgre)dire ) is a 2000 erotic comedy directed by the Italian filmmaker Tinto Brass . Known for its playful tone and focus on female sexuality, the film was recently remastered in 4K by Cult Epics to showcase its vibrant, high-definition cinematography. Plot and Themes

The story follows Carla (), a free-spirited Venetian woman who moves to London to find an apartment for herself and her boyfriend, Matteo ( Jarno Berardi ).

: True to Brass’s style, the film heavily emphasizes female forms, particularly the posterior, which the director famously calls the "mirror of the soul".